{"id":9108,"date":"2021-09-27T09:57:46","date_gmt":"2021-09-27T13:57:46","guid":{"rendered":"https:\/\/cointelegraph.com\/magazine\/?p=9108"},"modified":"2021-09-27T09:57:46","modified_gmt":"2021-09-27T13:57:46","slug":"before-nfts-surging-interest-pre-cryptopunk-collectibles","status":"publish","type":"post","link":"https:\/\/cointelegraph.com\/magazine\/2021\/09\/27\/before-nfts-surging-interest-pre-cryptopunk-collectibles","title":{"rendered":"Before NFTs: Surging interest in pre-CryptoPunk collectibles"},"content":{"rendered":"

NFT hunters are suddenly rediscovering these forgotten vintage collectibles<\/b><\/p>\n

Love them or hate them, blockchain collectibles are having a moment.<\/p>\n

It\u2019s good art. It\u2019s bad art. It\u2019s good, bad art. Folks are flipping apes and robots and pixely punks. Tweets (which are arguably ownerless) are worth millions to the right buyer. Literal children \u2014 we\u2019re talking humans who weren\u2019t even alive yet when Satoshi Nakamoto published the Bitcoin white paper<\/a> \u2014 are suddenly whales, and it just might feel like everyone but you is getting overnight-rich on that nonfungible JPEG money.<\/p>\n

There is, of course, something to be said about how an object\u2019s provenance relates to its value. CryptoPunks for example \u2014 often erroneously billed as the \u201cfirst\u201d nonfungible token, or NFT, series \u2014 are a well-known example of an old, long-dead project enjoying a renaissance of financial and social appreciation. A year ago, no one cared. You could have bought one for a couple hundred bucks. Today, that club is for millionaires only.<\/p>\n

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Spells of Genesis mobile game<\/em><\/figcaption><\/figure>\n

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So, why haven\u2019t many of the crypto-collectibles on Counterparty that pre-date CryptoPunks<\/a> (and even the entire Ethereum ecosystem) experienced the same level of frenzy?<\/p>\n

The times, they are a changin\u2019<\/h4>\n

According to Shaban Shaame, blockchain pioneer and CEO of software company EverdreamSoft, it comes down to accessibility \u2014 and the times, they are a changin\u2019.<\/p>\n

\u201cThey\u2019re on an older blockchain and not particularly easy to acquire,\u201d says Shaame in an interview with Cointelegraph. Counterparty (XCP) is an early contract layer of the Bitcoin blockchain that allowed creators to mint and distribute their own tokens. As Bitcoin\u2019s fees rose and Ethereum\u2019s popularity soared, however, the tokens and contract capabilities offered by Counterparty became largely obsolete.<\/p>\n

Today, it\u2019s a ghost town. \u201cA lot of people don\u2019t know how to use Counterparty at all,\u201d confirms Shaame.<\/p>\n

\u201cThey\u2019re looking for these antiquities but keep hitting a wall because they\u2019re so used to using OpenSea.\u201d<\/p><\/blockquote>\n

Pause. Let\u2019s step into our time machine for a moment and travel back to the year 2015. It\u2019s September. The price of Bitcoin is $236. Ethereum\u2019s genesis block isn\u2019t even two months old. Smart contracts, as they\u2019ll exist in the future, are naught but a dream. And Shaame has just launched a token sale for the first-ever blockchain-based mobile game, Spells of Genesis.<\/p>\n

The project\u2019s main draw was a series of digital trading cards meant to integrate into the game at launch. Each card was provably rare, with fantasy-themed artwork based on moments and figures in early blockchain history. The game\u2019s most coveted card depicted a purple-robed, druid-style Satoshi Nakamoto crafting Bitcoin\u2019s blockchain. Its edition was a mere 200 cards.<\/p>\n

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